[2] A 336 pages book Rosas, if and only if wonder was published and a multimedia exhibition was organised in newly opened halls at the Centre for Fine Arts, Brussels, and was attended by over 15,000 people. De Keersmaeker did not study dance until her last year of high school, instead studying music, specifically the flute. In February 1998, Anne Teresa De Keersmaeker made her debut as an opera director at La Monnaie with Bartók's Duke Bluebeard's Castle. Other dance mentors for the initiative include William Forsythe (2002), Saburo Teshigawara (2004), Jirí Kylián (2008), Trisha Brown (2010) and Lin Hwai-min (2012). Great composers hold no terrors for Anne Teresa De Keersmaeker. Read more about this topic:  Anne Teresa De Keersmaeker, “A biography is like a handshake down the years, that can become an arm-wrestle.”—Richard Holmes (b. In 1980, she made her mark with her first choreographic composition Fase, Four Movements to the Music of Steve Reich. À l'âge de dix ans, elle prend ses premiers cours de danse 6. During the eighties, Rosas was supported by Kaaitheater of Brussels (director Hugo De Greef). Anne Teresa de Keersmaeker peut ainsi préciser : « Teinté de tristesse, cet ouvrage se conclut par une seule solution : laisser aller, laisser partir… Le groupe sera cette vague qui vient et se retire. Her newest choreography, set to Bach’s six Brandenburg Concertos, premiered in the fall of 2018. It's not a … Anne Teresa De Keersmaeker In 1980, after studying dance at Mudra School in Brussels and Tisch School of the Arts in New York, Anne Teresa De Keersmaeker (b. In 1982 upon her return from the U.S.A. she created Fase (French), four movements to the music of Steve Reich. In 2013, De Keersmaeker returned to the music of Bach (performed live) in Partita 2, a duet between herself and Boris Charmatz. That year, Rosas created ERTS and released Rosa - a film of a choreography by Anne Teresa De Keersmaeker to Bartók music directed by Peter Greenaway. In samenwerking met De Muntschouwburg richtte ze " P.A.R.T.S. " The Rosas offices are closed until August 17, shipments are suspended until that date. One month later, she choreographed and danced a duet with Elizabeth Corbett for the production with/for/by. In 1995, Rosas and La Monnaie launched in Brussels a new international school for contemporary dance. Her choreographic practice also draws formal principles from geometry, numerical patterns, the natural world, and social structures to offer a unique perspective on the body’s articulation in space and time. Within the framework of Kaaitheater, her oeuvre took shape. At the beginning of 1997, Anne Teresa De Keersmaeker created, together with Steve Paxton and The Wooster Group, 3 solos for Vincent Dunoyer. Elle irradie dans le solo de Violin Phase , semble en découvrir avec nous de nouvelles subtilités, renouvelle la proposition malgré notre désir de la fixer éternellement dans sa parfaite jeunesse, et crée ainsi de l’espace dans une écriture pourtant serrée. In 1992, La Monnaie's general director Bernard Foccroulle invited Rosas to become the resident company of Brussels' Royal Opera De Munt/La Monnaie. Our products are shipped once a week. In November 1997, Just Before, to a live performance by the Ictus Ensemble of music composed by Magnus Lindberg, John Cage, Iannis Xenakis, Steve Reich, Pierre Bartholomée and Thierry De Mey, was presented in La Monnaie. Achterland (1990) is a pivotal production in Anne Teresa De Keersmaeker’s oeuvre. Since these breakthrough pieces, her choreography has been grounded in a rigorous and prolific exploration of the relationship between dance and music. At MoMA, she performed her solo Violin Phase from Fase: Four movements to the Music of Steve Reich (1982) in 2011, and presented her work Work/Travail/Arbeid in 2018. 1960) created Asch, her first choreographic work. In December 1996, Woud, three movements to the music of Berg, Schönberg & Wagner was premièred in Seville. For In Real Time in 2000, Rosas again collaborated with Stan, as well as with the jazz-ensemble Aka Moon for the composition and live interpretation of the music. In January 2001, Anne Teresa De Keersmaeker created Rain, another performance to a score by Steve Reich, his Music for 18 Musicians. In 2015 this piece was adapted to a durational exhibition format at WIELS in Brussels under the title Work/Travail/Arbeid. De Keersmaeker’s latest pieces mark a visible “stripping down” of her choreography to essential principles: spatial constraints of geometric pattern; bodily parameters of movement generation, from the utmost simplicity of walking to the fullest complexity of dancing; and close adherence to a score (musical or otherwise) for the choreographic writing. Rosas / Anne Teresa De Keersmaeker Rosas is the dance company of the choreographer and dancer Anne Teresa De Keersmaeker. - Performing Arts Research & Training Studios, where sixty students coming from some 25 countries are trained, over a three-year period, by more than 50 teachers. It was this production that brought her "a breakthrough on the international dance scene, performing, among other places, at the Avignon Festival". Anne Teresa, Baronessa De Keersmaeker (Malines, 11 giugno 1960) è una ballerina e coreografa belga Biografia Dopo gli studi con il Ballet du XXe siècle e alla Tisch School of the Arts, Keersmaeker debuttò come coreografa a . Over the past years, Rosas has also revived several earlier pieces: Rosas danst Rosas, Fase (French), Mikrokosmos, Achterland and others. Elle a fait ses études secondaires à Bruxelles, où elle commence par faire de la musique (de la flûte traversière dont elle continue toujours la pratique7). In her early 20s, the Belgian choreographer Anne Teresa De Keersmaeker created two dances that remain among her most distinguished: “Fase, Four … Anne Teresa De Keersmaeker passe son enfance avec ses deux sœurs à Wemmel en Belgique. Anne Teresa de Keersmaeker rent door een bos met dunne bomen en zingt dat Vlaamse liedje. After that it becomes your dance: you dance Rosas . Anne Teresa De Keersmaeker El Festival de Otoño ha incluido Rosas danst Rosas (a partir del martes) y The Song (14 y 15) en los Teatros del Canal, de la coreógrafa y bailarina belga Anne Teresa de Keersmaeker. (Performing Arts Research and Training Studios) in Brussels in association with De Munt/La Monnaie. Alsof ze een kind is dat in A coreógrafa belga Anne Teresa de Keersmaeker é a convidada da primeira bienal "Artista na Cidade". It was the first time that the choreographer created dance material specifically for men and that she gave musicians a central role on the stage. From 1992 until 2007, Rosas was in residence in the Brussels opera house De Munt/La Monnaie. I shall have to read of it in the biography of authors.”—Henry David Thoreau (1817–1862), Norman Foster, Baron Foster Of Thames Bank -, Virginia Woolf - Bibliography - "Biographies". She is known for her work on Achterland (1994), Rosas danst rosas (1997) and Tippeke (1996). The success of Fase contributed largely to the foundation of the company Rosas in 1983. Anne Teresa De Keersmaeker, geboren 1960, ist eine belgische Choreografin und Tänzerin. Two years later came the premiere of Fase, Four Movements to the Music of Steve Reich. Vergeet … Ivo van Hove en Anne Teresa De Keersmaeker begaven zich in het hol van de leeuw toen ze ‘West side story’ op Broadway de 21ste eeuw wilden binnenloodsen. Out of a very gifted field of candidates, De Keersmaeker chose young Togolese choreographer Anani Dodji Sanouvi as her protégé. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Born in 1960, Anne Teresa De Keersmaeker studied dance, first at the Mudra School in Brussels, then at the Tisch School of the Arts in New York. She studied from 1978 to 1980 at Mudra in Brussels, a school with links to La Monnaie and to Maurice Béjart's Ballet of the 20th Century. Two years later came the premiere of Fase, Four Movements to the Music of Steve Reich. Anne Teresa De Keersmaeker creates Dark Red for the Kolumba museum in Cologne Published on 11.09.2020 Anne Teresa De Keersmaeker and Radouan Mriziga create 3ird5 … She has said that the percussionist and her music teacher at MUDRA, Fernand Schirren (Fernand Schirren (French)), was a major influence on her. Rosas danst Rosas - Anne Teresa De Keersmaeker's first choreography for the young company to new compositions of Thierry De Mey and Peter Vermeersch - brought Rosas the international breakthrough as a company. Ze stamelt de tekst, verhaspelt de woorden, zwenkt tussen de stammen door en dribbelt om niet te vallen. Anne Teresa de Keersmaeker assume et assure quand même le show. Performances such as Elena's Aria (1984), Bartók/Aantekeningen (1986), a staging of Heiner Müller's triptych Verkommenes Ufer/Medeamaterial Landschaft mit Argonauten (1987), Mikrokosmos-Monument Selbstporträt mit Reich und Riley (und Chopin ist auch dabei)/In zart fliessender Bewegung - Quatuor Nr.4, (1987), Ottone, Ottone (1988), Stella (1990) and Achterland (1990) were produced in collaboration with Kaaitheater. De Keersmaeker established the dance company Rosas in Brussels in 1983, while creating the work Rosas danst Rosas. A production made in collaboration with the Orchestre des Champs Elysées, directed by Philippe Herreweghe. Son père était fermier et sa mère professeure6,7. [1] Sie besuchte Maurice Béjarts Brüsseler Mudra-Tanzschule von 1978 bis 1980. In November Anne Teresa De Keersmaeker created The Lisbon Piece, for the Portuguese Companhia Nacional de Bailado: her first experience as a guest choreographer. She has created with Rosas a wide-ranging body of work engaging the musical structures and scores of several periods, from early music to contemporary and popular idioms. In 1981, she attended the Tisch School of the Arts at New York University. Anne Teresa De Keersmaeker / Rosas Achterland tient une place décisive dans le parcours d’Anne Teresa De Keersmaeker : premier de ses essais, en 1990, pour une plus grande implication des musiciens dans la dynamique scénique – une approche qu’elle développera abondamment par la suite. In March 1999, Anne Teresa De Keersmaeker created, together with Rosas dancer Cynthia Loemij and Jolente De Keersmaeker and Frank Vercruyssen from the theatre company STAN, Quartett; a dance-theatre performance based on the text by Heiner Müller. 2002 saw the celebration of twenty years of Rosas and ten years of residence at La Monnaie, with the re-run of the text-pieces, the creation of (but if a look should) April me and Rain live, the two latter accompanied by Brussels contemporary music ensemble Ictus. In 1995 De Keersmaeker established the school P.A.R.T.S.